Fink it's good

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SORT Of Revolution, the fourth album from singer and songwriter Fink, is part of a continuing campaign to quietly plough his own furrow - after all he is now Ninja Tune's sole singer songwriter act, less than a decade after the label signed him up as a trip hop producer.
And I have to say I'm glad he made the switch.
Each track here by Fink, real name Finian Greenall, is a mini-masterpiece.
Classical strings soak lo-fi indie strummers laced with chilled out dub grooves throughout.
The tracks sound like a mix of D'Angelo's laid back approach with a Jose Gonzalez knack for subtle beauty and a reined-in Jeff Buckley-emotion to his vocals.
Buying Fink? It's a no-brainer.

Sunhouse brightened up my day

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AFTER more than a year of blogging on about albums I think everyone should listen to and thinking up thirty-plus additions of my own, tonight I've had a taste of my own Classic Collection medicine.
Because I put out a plea for recommendations on the Isaac Ashe's Sound Advice Facebook site, and I wasn't disappointed.
Now I'd never heard of it before, but I was urged to listen to Sunhouse's sole album, Crazy On The Weekend.
"You'll love it!" I was assured.
And I did.
An acoustic album designed for the morning after the night before, the Nottingham band brought to my mind Mancunian indie rockers Doves and Elbow.
In fact, it's mad that the 1998 album Crazy On The Weekend proved to be the group's only effort.

Classic thirty two - Destination Combustication

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AS JAZZ musicians go, there's not many about who can demonstrate effortless virtuosity while still sounding damn good as well as Medeski, Martin And Wood can.
In a genre known for its ability to turn the general listening public off, the trio of keyboardist John Medeski, drummer Billy Martin and bassist Chris Wood make their jazz sound fresh, funky and fun.
On Combustication in particular, they take their jazz roots and thrust elements of funk, hip hop, soul, rock, anything they can lay their hands on, in to what is an instinctive, experimental journey.
For those unsure, download yourself a copy of the track Coconut Boogaloo and be instantly converted.

Flutebox clever

I'M SURE we're all well aware of acts like 'The Godfather Of Noyze' Rahzel and Britain's finest Beardyman, who can beatbox and drop basslines or sing or imitate an instrument simultaneously - and I mean properly, not like that human saxophone idiot on Britain's Got Talent.
If you're not aware of Rahzel or Beardyman, check them out right away - they're very impressive.
But I stumbled across a beatboxer the other day combines his art with playing the flute.
Please click on to the site of Nathan "Flutebox" Lee and have a listen for yourself - it's abso-flutely amazing.

Classic thirty one - Empirical evidence

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AKIN to my inclusion of Michael Jackson's Bad in my Classic Collection selection, Evil Empire probably didn't struggle to shift many units when it came out - in fact it hit the top of the charts in the US and peaked at number four in the UK.
However the follow-up to Rage Against The Machine's rap rock crossover classic Rage Against The Machine has ended up being overlooked, merely for being wedged between the group's eponymous and best-known first album and their undoubtedly brilliant third album Battle Of Los Angeles.
However the fact remains that Evil Empire was created by one of the greatest bands of recent times whilst at the height of their powers, lacing heavy grooves with virtuoso playing.
This is a politically hard-hitting album delivered expertly by rapper Zach de la Rocha with a brutal sound to match, which literally thumps the listener with stripped-down funky metal riff after stripped-down funky metal riff.
Although Rage Against The Machine may be their finest work in terms of their legacy, Evil Empire's release was the one that confirmed they fighting a campaign, not just a battle.

Mamer aims at West

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CHINESE singer songwriter Mamer is the leading light of the Chinagrass scene - a genre yet to break into the UK Top 40 as far as I'm aware.
In fact, to these ignorant Western ears, his mixture of Kazak folk and alt-country music is so alien and other-worldly, it took me several spins of Eagle to decide if it was any good or not.
Before I go on, I apologise to my Kazak readership - as according to my analytics software, amazingly I have one - for my lack of knowledge of the culture of the Chinese/Kazakhstan border, but the best way I can describe Mamer's ethereal sound is a kind of mixture of Nick Cave, Neil Young and Borat.
Is nice.
Using traditional acoustic instruments to accompany Mamer's deep vocals, Eagle is a tranquil, honest affair that deserves to break Mamer outside of the Far East.

Yppah, yippee!

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JUST over a month ago I went all gaga over Yppah's EP Gumball Machine Weekend - and now, brace yourselves, I'm about to do it again.
Because just in time for the summer, the album, They Know What Ghost Know, is here.
Sharing a number of tracks and an overall vibe with the aforementioned EP, the Texan DJ's sophomore album is a blissful, sunkissed blur of live drumbeats and subtle, shifting psychedelia.
Funky, but with a hard edge to it, this instrumental eclectic collection has a slow-burning appeal to it that grows and grows and then hits you, like the sun coming out from behind a cloud.
Although destined to be criminally unsuccessful commercially, those in the know know where They Know What Ghost Know should go.

Late Of The Pier to play Loughborough

LOCAL band Late of The Pier are set to play a DJ set at Rapture Nightclub in Swan Street, Loughborough, this Friday, May 15.
The Clip Clap Clop party will see the Castle Donington group supported by Lame, Skello and the Clip Clap Clop DJs.
Organiser Nick Carelli said: "Late Of The Pier are an indie electro band unique to their scene and one that is incredibly difficult to pinpoint.
"Complex but utterly danceable, with songs laced with dirty bass, synths, and video game SFX, the most common reference point is the Klaxons, but comparisons have been made to artists all over the genre map, from Prince to Frank Zappa to the Human League."
For more information or to book tickets call 01509 233613.

Quality out of control

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IT'S a testament to the talent of Tori Amos that she is allowed the freedom to make an album like Abnormally Attracted To Sin.
The LP, the American singer songwriter's 10th studio effort, is the epic, self-indulgent succession of piano-led, electronica-tinged breathy ballads and sultry rockers anyone familiar with Amos's back catalogue would expect.
Anyone without 15 years experience in the business would probably had a flea in their ear from the record company had they attempted to put out such an arduous album.
Because although there are some typically beautiful moments hidden away on this album - and I say this as a long-time fan of Amos - the fact that Abnormally Attracted To Sin wasn't condensed is a real sin.

Fondo Ali Farka Toure?

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WHEN reviewing Vieux Farka Toure, it's only natural that you mention his father, the legend that is Ali Farka Toure.
For example, I've done in in my first bleeding sentence.
Because his dad's afro-blues guitar work casts a hefty shadow over Fondo, Vieux's third LP - an afrocentric bluesy collection of laid back world music.
Here Farka Toure Jnr's crisp guitar work is clearly proficient, and his songwriting is extremely listenable as well as being just distinctive enough from his dad's output.
The problem is despite the differences it needs to be outstanding in order to stand out in comparison to Farka Toure Snr - and it just isn't.
It's the reason why Julian Lennon will always be a jealous guy, why Ziggy Marley will never be able to stir it up quite enough, and why Dweezil Zappa will, er, never have weasels rip his flesh.

Heartburn

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IT'S half marks for Innerpartysystem's Heart Of Fire EP, because basically, half of the six tracks here are red hot, and half are not.
Thewaytheirnamehasnospaceshasalsocountedagainsttheminthisreview.
The Pennsylvanian rockers' eponymous EP opener, the full-on Heart That Heals, and closing track The Lovers Dancing (Remix) all point towards a band that can successfully blend elements of rock and dance, sounding like a beefed up Depeche Mode.
The other three tracks, well, you can take them or leave them.
Overall although it would have been as worthwhile an exercise as a single, inside Heart Of Fire beats a very promising band whose album will be well worth listening out for.

Not-so-easy rider

THE Smoking Gun webzine has an entertaining section detailing artists' concert rider requests - and by far the most entertaining I've looked through so far has to be Iggy Pop's.
It may not go so far as to mention brown M&Ms, but the 18-page request, written by roadie Jos Grain, is laugh out loud funny throughout.
Check it out here.
Especially page 18.

Subkicks lack punch

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DO YOU like rock music? You can bet that Subkicks do.
Because the West Midlanders' new album, Threes, Fives And Sevens, is like a derivative whistlestop tour of some of their favourite bands.
There's the Kasabian-style opening, a bog standard indie band slowy and it all goes a bit Stereo MCs in the middle.
The problem is it's all been done before - see Britpop - and it's all been done better.
Subkicks are a promising act, but the opportunity to record this album probably came a bit too soon for them - the result is Subkicks sound like they're punching above their weight.

Classic thirty - Popcorn Bubble Fish in for compliments

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ALTHOUGH drummer Malcom Catto has worked with a glut of acts including work with Heliocentrics, Herbaliser, DJ Shadow, Madlib, The Keystones and The Soul Destroyers, 2001's Popcorn Bubble Fish is his solitary solo effort.
And more's the pity.
The music here is a fuzzy freeform freakout of farty synth basslines, sparse guitar licks and general noise.
However all of this is second fiddle to the rare showcase of Catto's funky and forceful drumming, which despite him never knowingly hogging the limelight has still made the man the stuff of percussive legend.

Requesting Classic Collection suggestions

I'VE posted this at the official Isaac Ashe's Sound Advice Facebook site, and I'm posting it here as well - I'd like to hear people's suggestions for Classic Collection additions.

So far I've picked 30 albums that are either hidden gems or oft-overlooked classics, listed down the right hand side if you're interested, and I have some more in mind for the future - but I'd love to hear from anyone who has any ideas.

So far I've had The Wildhearts' 1993 debut album Earth Vs The Wildhearts flagged up, and I shall be dusting it off over the weekend for blast from the past for sure.

If anyone else has any suggestions, please drop them below.

Brosseau sprouts a band

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GUITAR man Tom Brosseau's latest album sees the singer songwriter growing from a solo act into a full band scenario - and for large parts of Posthumous Success it's dead good.
The album, his eighth outing, sees Brosseau experimenting with a fuller sound which brings to my mind a kind of Turin Brakes harmony in its more straightforward numbers.
And at other points Brosseau crafts a distinctive acoustic grunge sound, and although he has a tendency to overcomplicate the sparser tracks, there's always lots to like in his lyrics - such as his genius rhyming of hole and Dave Grohl.
Dead or alive, the blues folk guitar work of Brosseau on Posthumous Success is finger pickin' good.

Struggle to the top

RISING Loughborough-based garage vocalist Sarahjane's track with Bradford DJ TS7, Struggle, is top of BBC 1Xtra's garage chart this week.
You can read an interview I did with her here.

Warwick's work not weak

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BASED On Actual Events, the debut EP from Warwick, is like a musical version of a steaming mug of cocoa.
Rich and warm, the group, led by Scot Keith Warwick, have crafted some tasty folk tunes for this first foray.
Keith Warwick - who played Trent in the children's TV series My Parents Are Aliens, fact fans - clearly has a knack for lacing his tracks with subtle hooks, and with the backing band in full flow Warwick are very easy on the ear.
Based On Actual Events truly is a promising EP.

Touch my Facebook

A WISE man once said that social networking was the future - I think it was that Tom fellow on Myspace.
Anyway, as a result Isaac Ashe's Sound Advice is now on Facebook.
You can be my friend by clicking here.

Indexcellent work

I'M SURE nobody really cares, but it was a lot of work for me, so I'm going to write about it anyway.
If you look to the right, you'll see that I've put an Index into my blog, so now you can sort my site's 450-plus posts into Reviews, Downloads, Local Bands, Gigs, Albums Of The Year and Classic Collection categories.

The magnificent Duke

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'MON the Marma!
The Marmaduke Duke duo of Simon Neil of Biffy Clyro alongside JP Reid of Sucioperro release part two of their musical trilogy, Duke Pandamonium, on Monday - and it's a right royal treat.
Exploring realms previously hinted at in Neil's day job, such as the Infinity Land intro to Glitter And Trauma, the rockers throw themselves at the synths, throbbing basslines and thumping electro beats with aplomb, spreading the guitar work thinly.
And as a result the album, which was shelved in 2006 after Biffy Clyro's brilliant Puzzle justifiably broke the band into the mainstream, is a fresh, freaky, funky venture.
In fact, Duke Pandamonium could the best dance album of the year so far - not bad for two long-haired beardy alternative rockers.

More Download confirmations

ANOTHER flurry of acts have been added to the bill for this year's Download Festival in Castle Donington.
Steel Panther, Trigger The Bloodshed, Lauren Harris, Hexes, Hollywood Undead, Hunting The Minotaur, Japanese Voyeurs, White Man Kamikaze, Loverman, Black Spiders, General Fiasco, Sacred Mother Tongue, 69 Eyes, Dear Superstar, Pulled Apart By Horses, Violent Soho and Brides will all be gracing the stage this year.

Driving me Madcon

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SO THAT track, Beggin', has finally fully burrowed into my head and lodged itself there for good.
And as a result, this Bank Holiday Weekend I gave in and did Madcon the courtesy of listing to sophomore album So Dark The Con Of Man.
But the Norwegian rap duo's breakthrough track is clearly head and shoulders above anything else here - although there are some highlights here like Back On The Road.
The main feeling I get from this album is of a group that's torn between being Black Thought and Black Eyed Peas.
The next Gnarls Barkley, anyone?

Classic twenty nine - Cool Kid

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IT SAYS something that classic turntablist album Carpal Tunnel Syndrome comes with a free comic book and computer game.
Now that's value for money - clearly Kid Koala, real name Eric San, is a DJ bulging with ideas.
And never content to just drop a beat and sit back, from start to finish this album is a lesson in DJ-ing technically as well as creatively.
And clearly the leg work has been done beforehand as well - there's no Eric B or James Brown sampling here, in fact nothing obvious at all.
From the 'wakey wakey, eggs and bakey' of Music For Morning People through the meandering Drunk Trumpet to the clucking bizarre Like Irregular Chickens, Carpal Tunnel Syndrome is some of the most original, skilled and entertaining music to come out of two turntables.

Ciara not at her peak

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B-LIST R&B star Ciara releases her Fantasy Ride on Monday - although it's a bit more Ford than Ferrari.
As you would expect from an established major label American star on her third album, the club-orientated beats here are as sleek and polished as they come.
And although there are no mind-bogglingly outstanding tracks here, you can see a few hits as you glance down the track listing.
But the most telling thing is that the best bits of Fantasy Ride are when the excellently chosen guest vocalists such as Ludacris, Justin Timberlake and Young Jeezy take the driving seat.
Overall, Fantasy Ride, although never white knuckle, is undoubtedly a smooth ride.

Sew good

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I CANNOT be the only person, on hearing Damien Rice's first tentative offerings back in 2001, that Googled Lisa Hannigan to find out who she was.
Sadly, back then Hannigan, who provided backing for Rice on both O and 9, hadn't done any solo work.
Now it was a bit of a wait, but at least at last all that has now changed, with Monday seeing the UK release of her debut album Sea Sew, already a hit in her native Ireland.
Led by Hannigan's breathy, enticing vocals, the album is chock full of folk songs that will please fans of her work with Rice.
However where Damien Rice's work is often characterised by its sparseness, here the tracks are laden with strings and horns and xylophones which, like a musical monkey hormone are pumped in to increase each song's potency.
In fact, I would recommend that you see Sea Sew for your self.

Yusuffering

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AS AN '80s child, the two things that I know about Yusuf Islam, formerly Cat Stevens, is that he converted to Islam, and he wrote the theme tune to Ricky Gervais's sitcom Extras.
And Roadsinger, his impending album, is unlikely to bring his music to the fore of people's minds once again.
Because despite it being a brilliant vehicle for Islam's distinctive rich vocals, it's actually quite a sombre listen.
Low key strummer after low key strummer, these are kind of one-miserable-man-and-his-guitar compositions about floods of blood and people hating each other that will be pulled out in 20 years time to soundtrack a documentary about how deeply awful the recession was back in 2009.

Fruits of the Forest

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FOR the latest LP in the Baka Beyond project, English folk musicians Su Hart and Martin Cradick went to great lengths - the Cameroonian rainforest in fact.
The latest in 17-years of collaborations between the pair and the tribe, Baka Beyond The Forest's basis is field recordings taken of Baka pygmy women singing traditional African tunes in the nation's forests in the evenings.
Conjours up images in you head, doesn't it?
Can you imagine the likes of Bono and The Edge stalking through the undergrowth, dictaphone in hand, moving in mysterious ways?
Sadly the resulting album, made from these recordings with selected vocal lines replayed by traditional instruments such as guitars and violins, as interesting as it is, is never as arresting as the premise behind it.

Our Brother The creative

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DISCLAIMER - although I have given this album a four-star rating, by the time it's released on Monday I reserve the right to change my mind to award full marks for Our Brother The Native's latest.
When I first embarked on listening to Sacred Psalms, I had a three in mind, possibly even a two - I admit I was bored with it to begin with.

However in the space of a week or so, it's grown on me, like some sort of musical parasite.
Hell, it'll probably be in my Albums Of The Year 2009 come December.
The album is a strange one, with some tracks sounding more like a poetry reading over the top of an orchestra warming up being recorded from the far side of a cathedral than a pop song.
As the album progresses, the lyrics do come more to the fore and drums become more apparent in the disparate mixture of influences that the group layer.

With reference points in classical, post rock, folk, indie, world and much else along the way, yet standing alone, Sacred Psalms really is devine.

Lashings of Lisa

HARD dance DJ Lisa Lashes will be performing a 90-minute set at Loughborough club Rapture on May 1.
The DJ appears at the Swan Street venue as part of T.F.I Tidy alongside Scott Fo-Shaw, Jon BW, Danny Lee and D-Railed. Tickets cost £8.

Clemmons lacks zest

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DESPITE the album title's assertions, Texan Jessica Clemmons is unlikely to become a permanent feature in the UK charts with debut Permanent.
This is no slight on Clemmons herself, whose voice is clearly passable - she's the singer of choice for sporting events in her native Houston, by all accounts.
However her pipes are put to no good use singing Permanent's formulaic pop soul tracks that would have been more at home in the early '90s.
These have then been polished so hard at the production desk that they are completely devoid of any kind of distinguishing features whatsoever.
The resulting music is so middle of the road, it's amazing that Clemmons hasn't got cat's eyes.

Lighten up with a free track from The Heavy

FUNKY folks The Heavy have offered up a free download of their latest track.
You can get your hands on Oh No! Not You Again! featuring Shingai Shoniwa of The Noisettes, which is a taster for their forthcoming album The House That Dirt Built, if you click here.
And do, because it's great.

New Download acts

HATEBREED, Therapy?, A Day To Remember, In This Moment, God Forbid, Backyard Babies, Hostile, Middle Class Rut, No Americana, Esoterica, Suicide Silence, Ripper Owens, Voivod, Sylosis, Turbowolf, We Are The Ocean and Man Raze have all been added to the Download line-up.

Castronomical

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CASTROVALVA - a punk math rock band, if such a thing can exist - unleash their debut mini album on May 4.
The Leeds duo, who evoke the spirit of the short-lived pair Death From Above 1979 in ethos as well as application, literally batter their way through the eight-track listing.
Apart from the breather London Kills Me and Bellhausen, which features Leemun Smith as a deranged alternative Justin Hawkins, the eponymous album is an instrumental, heads-down blitzkreig of noise.
And Castrovalva, who share their name with an Italian village, an Escher sketch and an episode of Doctor Who, are either doing something very clever or very stupid underneath their shroud of feedback.
Either way, it's a lot of sweaty fun.
• You can download one of the tracks from Castrovalva, Triceratops, by clicking here.

Negative comments

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NOW I don't mean to be overly negative about electro outfit Burn The Negative.
In fact half expecting a heavy metal onslaught on pressing play, I was pleasantly surprised to hear the Carlisle group's synthpop sound.
However I have some severe reservations about their debut album, In The Atmosphere.
Firstly, this is nothing new, by several decades.
Not a crime in itself, but while the new wave sound is entirely electronic, it's backed by the an array of the most pedestrian, stock house beats.
These in turn hardly liven up Burn The Negative's positively dour new romantic vocal approach.
Burn The Negative - not exactly hot stuff.

Caught in the Webb

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THERE'S something about Acrobat, the first long-player from Jo Webb And The Dirty Hands, that I can really empathise with.
And not just the scruffy cartoon on the cover with receding hair and glasses that exhibits some serious Ashe family-style genes.
No, there's an air of honesty about the riffing pop rock on show here that sits somewhere between Weezer and The Feeling.
It's a clever yet fun listen that knows how to kick it when required, and is packed with more hooks than Abu Hamza's wardrobe.
Seriously, just listen to Acrobat, and you'll flip.

Basement Jaxx return

SCARS, the new two-part project from Basement Jaxx, is set for a May or June release for its first installment.
Speaking about the album which features acts such as Yo Majesty, Santogold and Yoko Ono, former Loughborough schoolboy and one-half of the band Felix Buxton said: "It was completely a voyage of discovery.
"The direction always changes according to the people that you meet.
"We set out to make a double album, which we have done, but we are going to release it in two stages.
"The first half now and the second one later."

Rushing to the shops

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READING'S The Rushing release their debut this Monday that should have hard rockers rushing to the shops.
Summon The Heroes, as the name implies, has a feel of the classics about it - most obvious points of reference are Pearl Jam, Metallica and Our Lady Peace, and Led Zeppelin, Foo Fighters, Smashing Pumpkins and Queens Of The Stoneage are all cited by the band themselves.
However the album does raise itself above simple homage.
Here huge sounding hard rock numbers abound, that make up for what they may lack in killer hooks with stadium-filling ambition.
A straight rock album, Summon The Heroes goes straight for its target, and hits.

Sunny outlook for Merriweather

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DANIEL Merriweather, second fiddle to both Mark Ronson and Wiley on recent chart raids, fiddles with himself for his first debut album Love And War next week.
And it’s a pleasure to hear him on this soulful, ‘60s infused collection.
From the supurb Chainsaw to the soulful single Change to the mournful Red, Merriweather’s vocals have a timeless quality to them.
And combined with the evocative guitar licks and hammond stabs which bring to mind acts from Smokey Robinson to the Rolling Stones as well as the slick modern drums and production, Love And War should easily fight its way into most collections.

Summer tunes

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WHEN life gives you Leman, er, make Lemanade?
Whatever that may mean, this chirpy concoction of Cameroonian soul and upbeat bossa nova and jazz influences is easily as much of a fizzy treat as a glass of R White's.
Clearly made with a summery smile on its face, Blick Bassy's latest laid back guitar-strumming LP is the perfect soundtrack to a hammock-dwelling day in the garden.
And on that note, I'm going on holiday - so there'll be no posts until next weekend.

Brakes stop by

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BRIGHTON'S Brakes third album Touchdown lands on Monday, a credit to the group who were left out in the cold by Rough Trade.
Now put out by FatCat, the latest from the 'supergroup', as you can imagine from a group which is laced with Electric Soft Parade, The Tenderfoot and British Sea Power connections, is a proficient collection of indie rockers.
However, with a few exceptions such as stomper Hey Hey and current single Don't Take Me To Space (Man), their schtick rarely raises the bar compared to previous work.
So if you're a fan, then Brake yourself - but otherwise there's no shame in letting it pass you by.

Prefuse refuses to conform

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PREFUSE 73, real name Guillermo Scott Herren, is a DJ with ADD.
His latest LP, the out-of-this-world Everything She Touched Turned Ampexian, splits up its 50-odd minutes into a ludicrous 29 tracks, averaging around one minute forty seconds per track.

Now if I could craft hip hop beats half as well as Prefuse 73, I'd want to milk more than 30 seconds out of them.
The LP, the fifth studio album by Prefuse 73, is a barrage of funky beats thrown into a blender of other-worldly wailing, old school hip hop samples and ambient noise.
The result is a collage of choice tracks, all fantastic, and all frustratingly fleeting.

Noisette for a few more hits

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I HATE to be the one to upset the rhythm, but flavour of the month Noisettes new album isn't quite up to the standard of their pop chart-conquering, car advert-soundtracking single's sound.
Now being the only song by the London three-piece that I'd heard, that the album opener Sometimes was a ballad was a pleasant surprise ahead of the thumping hit Don't Upset The Rhythm.
And the title track and '60s Motown-sounding Never Forget You could both trouble the top ten in due course.
But apart from that, let's not go nuts.

Cities' breaks

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THREE Cities, the second album from Bombay Dub Orchestra, is a cosmopolitan affair.

Production duo Garry Hughes and Andrew T Mackay have again melded western chillout electronica with Indian influences and instrumentation, a formula that served the pair well on their self-titled debut.
It was a nice idea, and therefore everything here is, as a result, well, nice.
The beats are competent, chilled and conservative, and the melodies are restrained and relaxing.
The result is an album you could imagine playing in the chill-out room of a banging Bombay club - although but's more likely to be played on a portable stereo at a stall selling incense sticks, bongs and novelty rastafarian ashtrays at a music festival near you this summer.

Steel youself for City Of Thieves

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LIKE similarly Street Fighter-titled act Hadouken!, Sonic Boom Six are so in your face their name is derived from an attack.
Their third album City Of Thieves steals from a myriad of genres - metal, rap, jungle, ska, punk and even glam rock - in an aural assault overlaid with menacing inner city social commentary.
It's an interesting idea, but unfortunately Sonic Boom Six are jacks of many genres, but masters of only some.
The ska sections and dance elements here are buried again and again by the proliferation of metal overdrive that's not done as well.
As a result, the overall effect, ironically, ends up as a sort of musical indistinct sprawl representing the inner cities that the band are raging against in their lyrics.

Hijak your stereo

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AN ALBUM that came to my attention recently, due to the band's connections to my home town of Ashby-de-la-Zouch, is BlackSheepMoneyBox, the latest from Hijak Oscar.
The self-released album, the second from the six-piece vudu blues band - don't ask me - came out earlier this month.
A collection of apocalyptic blues that's more Gomez than John Lee Hooker, this is an excellent LP from the group who first rose to fame on Channel 4's MobileAct Unsigned TV talent show.
There are only 200 physical copies of the album and they've all gone - luckily for me I own one - but the album can still be downloaded. Click here to find out more.

Brevity is what?

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I LIKE to listen to music in my car.
And working in Loughborough, around 40-45 minutes from my house in Ashby-de-la-Zouch, I can normally listen to a full album on the daily commute.
Now granted I am referring to Good Friday - so there was probably a little less traffic on the roads than usual - but I pressed play on Kris Menace's three-CD marathon debut Idiosycrasies as I left for work, and as I reached the Echo office the CD was in the dying throes of Jupiter, a mere track three on the album.
Up-and-coming electronic producer Kris Menace, no relation to Dennis The, is not a man to do things in a rush.

In fact, if you were to listen to this album start to finish it would take more than three hours from your day.
Aside from that gripe, Idiosyncrasies, which is made up of two CDs of original work and one of remixes, is still a worthwhile listen, made up of slow-growing, DJ-friendly electro and house tracks and some nifty remix work.
The likes of Soulwax, Erol Alkan, Pete Tong and Laurent Garnier are all already vocal supporters of Menace, and should you have the time to listen, I'm sure he'll grow on you.

Inspiration Information an inspiration

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INSPIRATION Information sees jazz fusion experimentalists The Heliocentrics - a London-based collective who mix jazz with elements of dance and hip hop - and Mulatu Astatke - who mixes jazz and traditional Ethiopian music - fusing.
As Astatke puts it, the album is "a nice experiment".
At first the LP, the third in a series which has seen both Amp Fiddler/Sly & Robbie and Horace Andy/Ashley Beedle paired up, seems jarring and confused, but slowly the coupling melds together.
And with Heliocentrics tubthumper Malcolm Catto delivering some trademark funky drumming, and some Lalo Schifrin style horns from Mulatu's musicians, the results are some inspirationally cool jazz well worth picking up, for your information.

Wave Pictures focused

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DIFFICULT second album? What difficult second album?

David Tattersall, lead singer of Wymeswold's finest The Wave Pictures, said that If You Leave It Alone, the follow-up to 2008 debut Instant Coffee Baby, was a breeze to make.

And as the LP hits you like a breath of fresh air, you can hear that it was.
Although their rough busker charm and dry English wit is retained, their second outing is less ramshackle in production, and has some sublime touches such as the crescendoing horns on the title track.
Plus all of this is done with a smile on their faces - you only need listen to Bumble Bee, which reminds me of a British woodland animals version of Lou Reed's Walk On The Wild Side, to hear this is a band having fun.
Quite frankly this is the prolific band's best work to date - if you leave If You Leave It Alone alone, you'll regret it.

Skream if you wanna get plastered

DUBSTEP legend Skream has been announced for Dub-Boro 4, the latest event from the night which is held in secret locations around the area.
It has been revealed that the Croydon-based DJ is appearing alongside Rob Sparx and Felis of Kontakt on May 12 - but no venue has yet been announced.
A spokesman said: "Tickets are gonna sell out quicker than an MJ gig at the O2, so get your requests in now!"
If you want to know more about the secretive Dub-Boro event, check out the Facebook page.

Thunder, thunder, Thunderheist, ho

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YOU'VE heard of internet dating - how about internet collaborating? Because Canadian duo Thunderheist first made beautiful music together over the world wide web.
In fact, this happened by accident, before they even met in the flesh.
The hip hop electropop collaboration between producer Grahmzilla and MC Isis Salam took off when Grahmzilla accidentally sent MC Isis a track over the 'net, and before returning to sender she rapped over it.
One thing led to another, and well, the result is their eponymous album that's out on Monday.
And with female-fronted electropop riding high at the moment with the likes of Lady Gaga, Santogold and Ladyhawke all the rage, although it's a simple formula, there's no reason why the resulting sweaty, bass-heavy tracks and lusty lyrics of Thunderheist shouldn't have people shaking it too.

Show me the error of my ways

Everyone makes mistakes - but as a fully-trained, professional journalist I'd like to think I don't make many.
But if I do, I'd like them to be corrected as soon as possible.
So if you spot any typos or inaccuracies in any of my posts, please leave me a comment, as smug as you like, underneath the offending post, and I'll sort it out.
Plus, if you're a resident of the UK and you e-mail me to let me know at Isaac_Ashe@MRN.co.uk, I'll post you out a promo CD or two to say "thanks".

Underground all over the world

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HIPSTERS, flipsters, and fingerpopping daddies, we give you the international transglobal conglomerate of music.

Run Devils And Demons is the two-CD best of Transglobal Underground, a London-based world fusion collective that's had at least 15 members throughout a 19-year career.
Over nearly two decades the group has mixed world influences from Indian sitars to Delta blues guitars and everything in between, in every direction, with dance music ranging from house to drum and bass.
The results have been eclectic, but everything is tied together by the infectious energy of its execution.
A band which broke new ground and paved the way for acclaimed acts such as Afro-Celt Soundsystem, Talvin Singh, One Giant Leap and Banco De Gaia, Run Devils And Demons is an excellent retrospective on a group which has pushed musical boundaries the world over.

It'll be Nuts

DUMPY'S Rusty Nuts, who have been aiming to make it big in the music business since the year before I was born, bring their heavy metal roadshow to The Doghouse in Loughborough on Saturday, April 11.
The performance at the Nottingham Road venue is the second time around at The Dog' for the Just For Kicks band - as they performed at the pub back in the 1980s, before the floor collapsed closing the venue until last year.
Tickets cost £6.50 or £7.50 on the door. For more information call 01530 458308.

'60s band aim for Top 40

LOUGHBOROUGH rock band The Carnabys have put the finishing touches to their debut album, Introducing The Carnabys, which is set to be released on Rattle ‘n’ Roll Records later in the year.
To capture the spirit of their music, the local ‘60s revivalists recorded the album with Seasick Steve and Teenage Fanclub-producer Andy Bell in Hebden Bridge, Yorkshire, without the aid of any equipment made after 1969.
Vocalist Luke Williamson said “We’ve gone back to basics with this project to ensure we’re true to our influences and passions.
“It’s great to be offered this opportunity to release the album with Rattle ‘n’ Roll and we’re just excited about the project even more now they’re on board.”

One worth tracking

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LONDON-based Parisians Underground Railroad's new EP, Pick The Ghost, is a spirited affair.
The trio's latest five tracks, leftovers from their album Sticks And Stones, go full steam ahead through some more dirty, punky alternative rock which brings to mind some of last year's most pleasing releases such as The Kills' Midnight Boom.
However here you get the feeling that Underground Railroad, who take their name from the secret system of safe houses used to move black slaves to freedom in 19th Century America, have a lot more to give.
With all the feedback the tracks can turn into a bit of a dirge, which stifles the band's personality a lot of the time - it's no coincidence that the quirky stop-start Breakfast, where the band pause to let it all out, is the best track.
Although they're a band two albums to the good, you still get the feeling on Pick The Ghost that the trio's best is still yet to come.

New acts named for Download

A DOZEN more acts have been announced for Download festival this summer in Castle Donington.
Joining the ever-growing line-up are The Answer, Fightstar, Bring Me The Horizon, Staind, Stone Gods, Static-X, Shinedown, Volbeat, Facecage, Auger Bane, Sevendust and Go:Audio.

I've Noltes you around, I find you very attractive...

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AN ELEVEN-piece Icelandic post rock band and a selection of traditional Bulgarian and Balkan folk tunes may seem like an odd couple - but they make beautiful music together.
This multicultural marriage of influences may be as much an archiving project as an album - Storsveit Nix Noltes members painstakingly researched the music to make sure it was all traditional in composition before setting it to tape - but don't be fooled into thinking Royal Family-Divorce is a stuffy listen.
No, this is a rowdy, raucous rendition of the tunes that would befit a wedding reception, played by a prodigiously talented collective of musicians that have lent their musicianship to Mum and Sigur Ros among many others on a hotch potch of instruments both old and new.
Although maybe not to everyone's taste, if you're looking for something exciting and different, give Royal Family-Divorce a ring.

Buy Gum'

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LET Houston producer Yppah, real name Joe Corrales Jnr, take you on a Gumball Machine Weekend.
I'm not sure what that entails exactly - apart from probably a lot of chewing - but judging by this EP, it'll be a real trip.
Although melody-wise there's not a lot going on, the music is a dense collection of joyous noise and guitar licks that make me feel like a spaced out Ray Manzarek playing with his organ in a busy casino.
Added to this by former rocker-turned-electro artist Yppah are the drums, which sound like live breakbeats played by a psychotic drummer.
All in all, Gumball... is plenty to get your teeth into.

Two Fingers up

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TWO FINGERS, the hip hop collaboration between trip hop producer Amon Tobin and junglist Doubleclick, is definitely a V for victory.
A menacing, aggresive, politicised statement of an album, Two Fingers is so representative of street level, it's amazing the duo haven't been hugged by David Cameron in a lame publicity stunt by now.
With a supurb line-up of guests including the ever-reliable Sway as well as Ms Jade and Kevin Tuffy, combined with subtle brooding beats and backing tracks, this indelibly British album is a testament to the fact that there's life beyond the staid gangsta rap churned out by the usual suspects across the pond.

Pencil in some time for Origami Biro

BASED a mere stone's throw away from Loughborough in Nottingham, Origami Biro make some of the most delicate and beautiful electronica I've heard.
Based around live acoustic instrumentation, principally guitar and double bass, the group - Tom Hill of Wauvenfold and Penfold Plum fame alongside Andy Tytherleigh - use samples to accentuate the prominence of all the incidental creaks and reverberations and scrapes and noises that come with playing an acoustic instrument.
To this mixture of simple melodies and accentuated ambience they add the subtlest of beats, and hey presto - it's like a disco in a National Trust property.
You can hear three of the group's tracks on their myspace page.

Season's greeting

A NEW season of shows has been announced for Loughborough Town Hall.
Musical performances between May and August include Lau, Alan Price, Clare Teal and The Lark Rise Band as well as tribute acts Let's Hang On and Lee 'Memphis' King.
For more information call the Box Office on 01509 231914 or click here.

A few reasons

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HERE are just a few reasons why you should support Hundred Reasons by picking up a copy of their latest LP.

1. Hundred Reasons are as reliable as they come - and new album Quick The Word Sharp The Action is no exception, boasting a handful of sturdy tracks suck as Break The Glass and Boy.
2. However the band can still confound expectations - for example the laid back Pernavas Iela followed by the ripping riffs and electronic beats of The Shredder.
3. Singer Colin Doran has a funny little curly afro haircut.
4. The distinctive timbre of Colin Doran, which had a tendency to chafe on earlier work, now fits brilliantly into Hundred Reasons' vocal harmonies, making this some of the band's most polished work to date.
5. Hundred Reasons is an anagram of "unharnessed rod", which sounds rude.
6. The record was originally released in 2007, but despite positive reviews a mere 10 days after its release, their record label V2 was bought out and the album became unavailable again - until Monday, that is.
7. Ummm, it was recorded in Riga, the capital of Latvia.

Well there's seven reasons at least - feel free to add your own.

Dream on

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DOWNLOAD-only EP Mr Wobble's Nightmare, the latest release from schizotronic DJ Kid 606, is hardly the stuff dreams are made of.
Berlin-based Venezuelan-born American electronica artist Kid 606, real name Miguel Trost Depedro, attempts to blend as many elements of as many different styles of dance music as he can into each track.
And as you can imagine, the results are a bit of a mess on the title track.
Most in line with the techno scene, Mr Wobble's Nightmare is a bass-heavy, plodding collection of morbid dance tracks which is least taxing - and therefore most enjoyable - on the less experimental tracks, such as Billionaire Bank Run.
It's not all bad - for example the lively Kanji Kinetic remix of Dancehall Of The Dead, the original of which is set to feature on Kid 606's forthcoming album Shout At The Donor.
But for the most part, Mr Wobble's Nightmare is in need of a wake-up call.

Wheely impressive

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MANCHESTER outfit Spokes' debut EP, People Like People Like You, is impossible not to like, people.
The five-piece take their lead from post rockers such as Mogwai and Jeniferever, fashioning grandiose slow-burners that rarely clock in under the five minute mark.
To these they add evocative rustic folk instrumentation as well as background ambience both sampled and incidental to create an album that sounds like an old friend, from the very first listen.
And with the band currently beavering away on a full length introduction, isn't it time you awoke to Spokes?