Windmill sails on same old course

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WINDMILL'S EP sees the problems with the woozy sound of the one-man band's album Epcot Starfield both improved on and compounded.
Matthew Dillon's infuriating vocals, which sound like a drunken Arcade Fire doing an impression of Owl City, remain on the title track, one of the livelier cuts from the aforementioned LP.
Then it's onto the remixes - with the Pocket Remix and Gentleman's Losers Remix of Big Boom improving on Windmill's at-times plodding sound, while the Saroos Remix of Imax Raceway provides an even more nebulous take on the sound, making it almost impossible to get a grip on.