WITH a Classic Collection album under his belt, as well as coming highly recommended on the Facebook page, Marilyn Manson's May release The High End Of Low demands a shot at an Album Of The Year slot.
And following some toe-curling diversions into synthpop and emo, The High End Of Low sees Manson put his head down to produce a triumphant rock album in the vein of former glories Antichrist Superstar and Mechanical Animals.
Of course the overblown showman side of Manson remains, a mixture of his own mythology, cliches and self-parody - exhibited on lines such as "everyone will come to my funeral/to make sure that I stay dead" as well as many more not printable on a family blog.
The album's standout track is called Arma-godd**n-motherf**kin-geddon, for Christ's sake.
But through all the pomp and parody, by returning to his roots with former songwriting partner Twiggy Ramirez, Manson has proved that after all this time he is still as close to a real life rock superstar as we have anymore.
And following some toe-curling diversions into synthpop and emo, The High End Of Low sees Manson put his head down to produce a triumphant rock album in the vein of former glories Antichrist Superstar and Mechanical Animals.
Of course the overblown showman side of Manson remains, a mixture of his own mythology, cliches and self-parody - exhibited on lines such as "everyone will come to my funeral/to make sure that I stay dead" as well as many more not printable on a family blog.
The album's standout track is called Arma-godd**n-motherf**kin-geddon, for Christ's sake.
But through all the pomp and parody, by returning to his roots with former songwriting partner Twiggy Ramirez, Manson has proved that after all this time he is still as close to a real life rock superstar as we have anymore.
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